CABINET OF WUNDERS FOR LIFE !

The monthly celebration around art is opening its gate to another  psychedelicafricanalogic world, close your eyes, feel the sand under your feet, count the pulse and the beats, you are about to enter into the magic, of the AWESOME CABINET OF WONDERS!

* * *  W I N  2   T I C K E T S   : contact@wrangelkiez.org or F A C E B O O K * * *

WEDNESDAY 19th of June from 08pm IN CHALET  featuring :

AWESOME TAPES FROM AFRICA and his K7 dj set! When blogging meets creativity, it leads to a world wide acknowledgement and Berlin is ready to bow to the awesome collection of african tapes of Brian Shimkowitz.

AISHA DEVI  aka Kate Wax will perform live her new EP Aura 4 Everyone  a punchy tropicalistic dubby sunny wraped released on the French -Swiss label  Danse Noire !

The young Label has received good feedbacks and showcased all over Europe this year presenting their two main artists Aïsha Devi, Vaghe Stelle and some freaking out remixes from Willie Burns and Cooly G!

BABA CHAOS aka Rober Steer will spin some Netherlandic summer vibe records

ARTHUR ROUSSEL and the Stay Free Kollektive will spread a southern french breeze dj set. They are responsible for some awesome reallness!

 

 

And as usual, your beloved Cabinet has prepared a special treat for you with a traditional Carrabean food corner and suprise performances with Tape Over ‘sticky contamination and some light installation by MRTZ . The night is shorter every day so be on time to not miss a second of it, it actually starts at 08pm!

CHALET CLUB  Vor Dem Schlesisten Tor 3: http://www.chalet-berlin.de/

RSVP : https://www.facebook.com/events/406064676173479/

CABINET OF WONDERS: https://www.facebook.com/groups/585243341500173/?fref=ts

 

 

 

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A&A Cross Eyed Pictures of Berlin !

A&A stands form Amy Yang and Alani Cruz,
A singular photographic project where two different points in time and space are connected in one frame. A&A were formally connecting their Taiwanese and Japanese daily lives with they’re accidental double exposure photography. Their unique work has been shown at the Pflüger 68 Gallery in a two parts exhibition that brought them together for the long-term collaboration with the second part recently shot in Berlin. Let’s have a tour of the city through their eyes and lenses this Friday 14th of June for the 48hours Neukölln!

OPENING and Music Performance  at 07pm PFLÜGER Strasse 68 Friday 14.06

HOW DID YOU TWO MEET?
Amy: We met on the photo sharing website “Flickr”, we found each other in Ricoh GR group there I guess. When Alani sent me the first flickr mail, I was still in Paris. It was a very dark time for me when studying in Paris, but his mail just made my day. That was also the very first voice from a total stranger telling me he likes my photos. But we didn’t really keep on writing each other since that time, just 2~3 mails after the first one. Until a year later, he asked me if I’m interested in doing this project with him. That’s how we started.
Alani: I was surfing Flickr and one of Amy’s photos suddenly caught my eye. I loved her photos so I emailed her about an idea I had and now we’re here.

CAN YOU DESCRIBE US THE MAGIC OF YOUR PROCESS?
Amy: It’s a double exposure exchange project. For example I shot one roll of film then I send it to Alani, and he reshoots it again. So it’s like every photo frame has two images, one from me, one from Alani. They are all unplanned images. We could only see what each other shot when it’s developed. So everything is a coincidence. But for me the magical part is the connections on our photos, we’ve been doing this for almost 3 years without meeting each other at all, until few days before our first exhibition opening in Berlin.
Alani: I don’t know how much magic is involved, but the results have given me some of the same emotions. I shoot random happenings in my daily life wherever I may be with a photographic film camera. I then mail my roll of film to Amy and Amy shoots over what I shot and vice versa. We develop and POW! I think this where the magic happens.

YOU HAVE MET THROUGH THE INTERNET BUT IS YOUR PROJECT A CALL TO GET BACK TO A MORE HUMAN CONNECTION TO PEOPLE?
Amy: For me definitely yes, this project is kind of telling me that actually there are connections between every human being. We are just one of the example of this, we are from so different countries and cultures, and we didn’t know each other at all, but we are still connected. I think saying people are connected is kind of cliché, I mean the connections are always there, but most of time we don’t see it, so we ignore it. I think that’s the reason why this project surprises us so much, because we see it through our own eyes.
Alani: Definitely. That was my original intention when beginning the project. Amy and I mostly communicated through our photos and random things that we mailed each other. We never video chatted so I didn’t even know the sound of her voice until we met 3 years later! I’m not really a person that likes talking on the phone or typing to someone online because I feel something is lost in that exchange. I feel I got to know Amy much better with this project than I would have if we sent emails back and forth for 3 years instead.

WHAT KIND OF CAMERA DO YOU USE?
Amy: We both use Ricoh GR1 series cameras, since we found each other in this camera’s group, haha!
Alani: For this project I used a Ricoh GR1 and we shot it all on film.


THERE IS A LOT OF RANDOMNESS AND ACCIDENTS IN YOUR WORK, WHAT WAS THE MOST SURPRISING PICTURE OF YOUR PROJECT?
Amy: For me the most surprising picture, I’d say… the crowd in the concert with the illuminated numbers. Its like the people there were counting down and I can see the numbers in their minds floating in the air. It’s magic.
Alani: That’s a hard question! There are so many memories attached to each photo for me that its hard to pick just one. We laughed a lot whenever we developed a roll and saw the results, but when we had our first exhibition and I actually saw the photos printed big, I noticed things in the photos that I never saw when looking at them on a computer screen. One image that surprised me printed was the photo with the people riding the bus with carousel horses. I never noticed how scary the horses looked when I saw them on the computer screen. Something very demonic about the horse’s eyes and it looks like blood dripping out of their mouths. Crazy.

DID YOU FIND A COMMON THING IN ALL OF THE COUNTRIES YOU HAVE BEEN SHOOTING IN?
Amy: I think wherever we go; the common things are still random but connected. Like a photo we both took in New York, both our images are an NYC skyline. Just mine was real skyline taken in the central park, and Alani’s was NYC skyline graffiti. They are just matched.
Alani: New York, Tokyo and Berlin are 3 big metropolitan cities with New York and Berlin having a similar creative feeling to them. All 3 are very lively cities that inspire me to shoot, draw, skate and stay active. I think in whatever city we were in, Amy and I were somehow connected visually without even knowing it and our images kind of show this.

IF YOU HAD TO PICTURE YOURSELF AS AN OBJECT WHAT WOULD IT BE?
Amy: This is a difficult question for me haha! Because I never like to be pictured, unless it’s a silly, ugly, tricky picture. So I guess it would be like that.
Alani: A rare Sun Ra record.

WHAT IS YOUR NEXT DESTINATION?

Amy: We don’t have any new collaboration at the moment, just continuing what we were doing before Berlin I guess. But after these two exhibitions in Berlin, we received some other opportunities in other cities for this project, like exhibitions or even publications. Theoretically the project itself is done by now, but since we started exhibiting it; I actually felt more like we started something new. Like learning how people think about this project, how much it would influence people. It’s very inspiring to me. I feel I learned something new from it. So maybe I’d say we just started a new journey with this project.

Alani: As far as personal projects, I’m only focused on exhibiting this project with Amy at the moment. We’ve received a lot of positive attention and it may lead to more in the coming year. Its been a life changing experience for me and I think its just starting. Other than that I am still working as a freelance photographer/graphic designer/Art director and I’m looking for a job in Germany/Europe now so that I can move to Berlin by September/October 2013.

 

A&A project : http://projectaanda.com/

Pflüger 68 Gallerie : https://www.facebook.com/pflueger68?fref=ts

Amy Yang ; http://amyyang.havefun.tw/

Alani Cruz : http://www.alanicruz.com/

 

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UNTERGRUN#19 the Rise of Cigùri and Smalltown Boy

Cigùri is back on the top of the Wrangelkiez with a new video clip ! Let’s get hypnotized by her magnetic electronic songs and chamanic approach of performance where costume design embody the spirit of a powerful Amazon.

 Her passion for mystery has led Cigùri to the border of a dark pop where she can lower her voice and raise ancient spirits from her former lifes up to the stage light. 



In her new video clip «Smalltown Boy», Cigùri sets the tone with a new color of production and epic orchestral arrangements. The Bronski Beat cover is a gate to another story, a new album full of live strings, brass and martial beats with new collaborators expected in the beginning of Automn where Still waters run deep.

What is CIGÙRI fighting for?
Cigùri is a dead warrior coming from a secret tribe.
She’s fighting for her life, many lives: a full time job. She never rests.

How many after lives CIGÙRI already had?
We don’t know. Nobody knows. So far the mystery remains.

Does it reflect the multiple lives of the creative people in Berlin ?  
I guess every single creative life is different and we all deserve to live all the lives we want. Berlin is a big open space which allows many people to come and work on what they really want to do, and sometimes on what they really want to be. Cigùri is somehow one of them.

Did you start CIGÙRI here in Berlin?
She was reborn in Berlin but she won’t be buried here.

You have developed a very strong image how do you integrate your costume design background to your music research?
Sometimes I feel empty and can’t do music anymore. This no man’s land of music is the best playground for drawing a new costume, which will show me the way to another melody. I can’t separate the creative process of music from the costume design. Cigùri has many things to say, that’s why i’m using different art forms to tell her story.

What is fashion to you?  Do you have a mentor?
I am most of the time inspired by visual arts or music that’s why every single costume is a door to another story. I don’t have a mentor, i mean, a fashion mentor. Cigùri has a real mentor, but you can’t find him in magazines yet.

If Cigùri  would be …
a sound : A brass.  Recently i have been working a lot with a trumpet player, brass is a sound that inspires me a lot at the moment.
an object : My new sorcerer stick that comes from the devil’s mountain.
a piece of clothe : A strip of clothes, the cigùri costume signature.

If Cigùri had a tribe how would it sound like?
Cigùri’s tribe is dead but she has many friends who love to laugh.

You have been working with new collaborators on your first up coming album, how was the transition from electronic to  acoustic ?  Does it hurt?
Four years ago, I started singing alone with my piano and then Cigùri arrived and I needed to have an army of instruments with me. That’s why the project slowly switched from acoustic to electro-acoustic. Most of the time the electronic sounds where symphonic instruments. For this first album, I wanted to keep the basis of the electronic that built this melancholic dark pop, but on the other side I wanted real instruments.
It didn’t hurt; it was very exciting to do it. Before, I had one fake trumpet, now I have a whole brass section playing for real.

Smalltown Boy is a pure anthem what is you relation to that song?
I got the virus of this song a little bit before last summer. I think I listened to this song for at least 10 times a day for a month… It was insane, I was singing it all the time ! Making a cover just came naturally. In the mean time this winter, struggles against gay marriage started in France, and as you may already know, Smalltown Boy is the personal story of Jimmy Summerville who was kicked out of his home when his parents learned about his homosexuality. Inequality is one of the things I am incapable to stand. This song means a lot to me.

Do you believe in fortune cookies?
That is a very good question because actually I am a Shaman.

FOLLOW Cigùri on her website http://www.ciguri.net/

READ MORE ON KALTBLUT MAGAZINE

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UNTERGRÜN # 18 TRAP FASTER AND FURIOUSSER

You keep wondering about the human nature and the meaning of all that jazz just STOP it, and let your inner animalistic soul shout it out  ONE BIG TIME with TRAP and their debut album Offrande 1,647 released on Murder Channel Records (Tokyo, Japan)!

The french- canadian hardcore dubstep duet is about to plug and play with your head. Time to muscle your neck with a little exercice: just lift it up and down 5 minutes every morning and it is not gonna hurt! They have been touring with 30 Seconds To Mars, winning fellowship residency in France to prepare their troup to a heavy performance including storms of girls panties and litters of sweat and un-wish-to know-liquid spreads! Wooo yes we are talking about nasty beats and fever of expression made by a drum master and geez electronic producer! Note for your kids learning classical music also leads to PASSION! Feel it now!

Does brutality bound us all ?

Obviously, to be calm, the human animal has to be brutal..

What would a slow song of TRAPP would sound like ?

What is the sound of the 90′z to you ? 

Watch Beavis and Butthead

How do you explain the girl hysteria for your body and beats? What is your secret?

We can’t tell you.

What is your saying to the future generation ?
Get off your ass and come to a [trap] concert.

What is your saying to the previous generation ?
Hard to talk about ourselves..

 Did you think of heart condition people when you made this album ?
I guess it stimulates the pituitary gland more than anything else..

What happened during the recording of this album did you visit some ancient japanese spirit or you just went to the zoo recording bears and lions purring ? 
All of the above and more..

If you could do the soundtrack of one Stanley Kubric movie which one would you pick ?
The shining.

the shiningIf you could meet on Classical composer which one would it be ?
Stravinsky

stravinsky

How was the residency in St Nazaire ? Did you do a dustep remake of the Cherbourg Umbrella for your fans ?
See for yourself:

When shall we see you in Berlin ?
ASAP

One human beat box buccal beat to finish ?


Find out more about TRAP  on Facebook or http://www.trapsound.com/

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